CAT JILC LANDAK BARU

Native Americans probably arrived from Asia in successive waves over several millennia, crossing a plain hundreds of miles wide that now lies inundated by160 feet of water released by melting glaciers 3.C. For several periods of time, the first beginning around 60,000 B. C and the last ending around 7,000 B.C this land bridge was open. The first people traveled in the dusty trails of the animals they hunted. They brought with them not only their families, weapons, and tools but also broad metaphysical understanding sprung from dreams and visions and articulated in myth and song, which complemented their scientific and historical knowledge of the lives of animals and of people All this they of shaped in a variety of languages, bringing into being oral literatures of power and beauty.
Contemporary readers, forgetting the origins of western epic, lyric, and dramatic think of “literature” only as something written. But on reflection it becomes clear that the more critically useful as well as the more frequently employed sense of the term concerns the artfulness of the verbal creation, not its mode of presentation. Ultimately, literature is aesthetically valued, regardless of language, culture or mode of presentation, because some significant verbal achievement results from the struggle in words between tradition and talent. Verbal art has the ability to shape out a compelling inner vision in some skillfully crafted public verbal form. aesthetically valued, regardless
Of course, the differences between the written and oral modes of expression are not without consequences for an understanding of Native American literature. The essential difference is that a speech event is an evolving communication, an “emergent form,” the shape, functions, and aesthetic values of which become more clearly realized over the course of the performance. In performing verbal art, the performer assumes responsibility for the manner as well as the content of the performance, while the audience assumes the responsibility for evaluating the performer’s competence in both areas. It is this intense mutual engagement that elicits the display of skill and shapes the emerging performance. Where written literature provides us with a tradition of texts, oral literature offers a tradition of performances.

According to the passage, why did the first people who came to North America leave their homeland?

Native Americans probably arrived from Asia in successive waves over several millennia, crossing a plain hundreds of miles wide that now lies inundated by160 feet of water released by melting glaciers 3.C. For several periods of time, the first beginning around 60,000 B. C and the last ending around 7,000 B.C this land bridge was open. The first people traveled in the dusty trails of the animals they hunted. They brought with them not only their families, weapons, and tools but also broad metaphysical understanding sprung from dreams and visions and articulated in myth and song, which complemented their scientific and historical knowledge of the lives of animals and of people All this they of shaped in a variety of languages, bringing into being oral literatures of power and beauty.
Contemporary readers, forgetting the origins of western epic, lyric, and dramatic think of “literature” only as something written. But on reflection it becomes clear that the more critically useful as well as the more frequently employed sense of the term concerns the artfulness of the verbal creation, not its mode of presentation. Ultimately, literature is aesthetically valued, regardless of language, culture or mode of presentation, because some significant verbal achievement results from the struggle in words between tradition and talent. Verbal art has the ability to shape out a compelling inner vision in some skillfully crafted public verbal form. aesthetically valued, regardless
Of course, the differences between the written and oral modes of expression are not without consequences for an understanding of Native American literature. The essential difference is that a speech event is an evolving communication, an “emergent form,” the shape, functions, and aesthetic values of which become more clearly realized over the course of the performance. In performing verbal art, the performer assumes responsibility for the manner as well as the content of the performance, while the audience assumes the responsibility for evaluating the performer’s competence in both areas. It is this intense mutual engagement that elicits the display of skill and shapes the emerging performance. Where written literature provides us with a tradition of texts, oral literature offers a tradition of performances.

The phrase “are easily disposed” in line 11 is closet in meaning to

Native Americans probably arrived from Asia in successive waves over several millennia, crossing a plain hundreds of miles wide that now lies inundated by160 feet of water released by melting glaciers 3.C. For several periods of time, the first beginning around 60,000 B. C and the last ending around 7,000 B.C this land bridge was open. The first people traveled in the dusty trails of the animals they hunted. They brought with them not only their families, weapons, and tools but also broad metaphysical understanding sprung from dreams and visions and articulated in myth and song, which complemented their scientific and historical knowledge of the lives of animals and of people All this they of shaped in a variety of languages, bringing into being oral literatures of power and beauty.
Contemporary readers, forgetting the origins of western epic, lyric, and dramatic think of “literature” only as something written. But on reflection it becomes clear that the more critically useful as well as the more frequently employed sense of the term concerns the artfulness of the verbal creation, not its mode of presentation. Ultimately, literature is aesthetically valued, regardless of language, culture or mode of presentation, because some significant verbal achievement results from the struggle in words between tradition and talent. Verbal art has the ability to shape out a compelling inner vision in some skillfully crafted public verbal form. aesthetically valued, regardless
Of course, the differences between the written and oral modes of expression are not without consequences for an understanding of Native American literature. The essential difference is that a speech event is an evolving communication, an “emergent form,” the shape, functions, and aesthetic values of which become more clearly realized over the course of the performance. In performing verbal art, the performer assumes responsibility for the manner as well as the content of the performance, while the audience assumes the responsibility for evaluating the performer’s competence in both areas. It is this intense mutual engagement that elicits the display of skill and shapes the emerging performance. Where written literature provides us with a tradition of texts, oral literature offers a tradition of performances.

The word “Ultimately” in line 14 is closest in meaning to

Native Americans probably arrived from Asia in successive waves over several millennia, crossing a plain hundreds of miles wide that now lies inundated by160 feet of water released by melting glaciers 3.C. For several periods of time, the first beginning around 60,000 B. C and the last ending around 7,000 B.C this land bridge was open. The first people traveled in the dusty trails of the animals they hunted. They brought with them not only their families, weapons, and tools but also broad metaphysical understanding sprung from dreams and visions and articulated in myth and song, which complemented their scientific and historical knowledge of the lives of animals and of people All this they of shaped in a variety of languages, bringing into being oral literatures of power and beauty.
Contemporary readers, forgetting the origins of western epic, lyric, and dramatic think of “literature” only as something written. But on reflection it becomes clear that the more critically useful as well as the more frequently employed sense of the term concerns the artfulness of the verbal creation, not its mode of presentation. Ultimately, literature is aesthetically valued, regardless of language, culture or mode of presentation, because some significant verbal achievement results from the struggle in words between tradition and talent. Verbal art has the ability to shape out a compelling inner vision in some skillfully crafted public verbal form. aesthetically valued, regardless
Of course, the differences between the written and oral modes of expression are not without consequences for an understanding of Native American literature. The essential difference is that a speech event is an evolving communication, an “emergent form,” the shape, functions, and aesthetic values of which become more clearly realized over the course of the performance. In performing verbal art, the performer assumes responsibility for the manner as well as the content of the performance, while the audience assumes the responsibility for evaluating the performer’s competence in both areas. It is this intense mutual engagement that elicits the display of skill and shapes the emerging performance. Where written literature provides us with a tradition of texts, oral literature offers a tradition of performances.

The word “compelling” in line 17 is closest in meaning to..

Native Americans probably arrived from Asia in successive waves over several millennia, crossing a plain hundreds of miles wide that now lies inundated by160 feet of water released by melting glaciers 3.C. For several periods of time, the first beginning around 60,000 B. C and the last ending around 7,000 B.C this land bridge was open. The first people traveled in the dusty trails of the animals they hunted. They brought with them not only their families, weapons, and tools but also broad metaphysical understanding sprung from dreams and visions and articulated in myth and song, which complemented their scientific and historical knowledge of the lives of animals and of people All this they of shaped in a variety of languages, bringing into being oral literatures of power and beauty.
Contemporary readers, forgetting the origins of western epic, lyric, and dramatic think of “literature” only as something written. But on reflection it becomes clear that the more critically useful as well as the more frequently employed sense of the term concerns the artfulness of the verbal creation, not its mode of presentation. Ultimately, literature is aesthetically valued, regardless of language, culture or mode of presentation, because some significant verbal achievement results from the struggle in words between tradition and talent. Verbal art has the ability to shape out a compelling inner vision in some skillfully crafted public verbal form. aesthetically valued, regardless
Of course, the differences between the written and oral modes of expression are not without consequences for an understanding of Native American literature. The essential difference is that a speech event is an evolving communication, an “emergent form,” the shape, functions, and aesthetic values of which become more clearly realized over the course of the performance. In performing verbal art, the performer assumes responsibility for the manner as well as the content of the performance, while the audience assumes the responsibility for evaluating the performer’s competence in both areas. It is this intense mutual engagement that elicits the display of skill and shapes the emerging performance. Where written literature provides us with a tradition of texts, oral literature offers a tradition of performances.

What is the main point of the second paragraph?

Native Americans probably arrived from Asia in successive waves over several millennia, crossing a plain hundreds of miles wide that now lies inundated by160 feet of water released by melting glaciers 3.C. For several periods of time, the first beginning around 60,000 B. C and the last ending around 7,000 B.C this land bridge was open. The first people traveled in the dusty trails of the animals they hunted. They brought with them not only their families, weapons, and tools but also broad metaphysical understanding sprung from dreams and visions and articulated in myth and song, which complemented their scientific and historical knowledge of the lives of animals and of people All this they of shaped in a variety of languages, bringing into being oral literatures of power and beauty.
Contemporary readers, forgetting the origins of western epic, lyric, and dramatic think of “literature” only as something written. But on reflection it becomes clear that the more critically useful as well as the more frequently employed sense of the term concerns the artfulness of the verbal creation, not its mode of presentation. Ultimately, literature is aesthetically valued, regardless of language, culture or mode of presentation, because some significant verbal achievement results from the struggle in words between tradition and talent. Verbal art has the ability to shape out a compelling inner vision in some skillfully crafted public verbal form. aesthetically valued, regardless
Of course, the differences between the written and oral modes of expression are not without consequences for an understanding of Native American literature. The essential difference is that a speech event is an evolving communication, an “emergent form,” the shape, functions, and aesthetic values of which become more clearly realized over the course of the performance. In performing verbal art, the performer assumes responsibility for the manner as well as the content of the performance, while the audience assumes the responsibility for evaluating the performer’s competence in both areas. It is this intense mutual engagement that elicits the display of skill and shapes the emerging performance. Where written literature provides us with a tradition of texts, oral literature offers a tradition of performances.

What can be inferred about the nature of the Native American literature discussed in the passage?

Native Americans probably arrived from Asia in successive waves over several millennia, crossing a plain hundreds of miles wide that now lies inundated by160 feet of water released by melting glaciers 3.C. For several periods of time, the first beginning around 60,000 B. C and the last ending around 7,000 B.C this land bridge was open. The first people traveled in the dusty trails of the animals they hunted. They brought with them not only their families, weapons, and tools but also broad metaphysical understanding sprung from dreams and visions and articulated in myth and song, which complemented their scientific and historical knowledge of the lives of animals and of people All this they of shaped in a variety of languages, bringing into being oral literatures of power and beauty.
Contemporary readers, forgetting the origins of western epic, lyric, and dramatic think of “literature” only as something written. But on reflection it becomes clear that the more critically useful as well as the more frequently employed sense of the term concerns the artfulness of the verbal creation, not its mode of presentation. Ultimately, literature is aesthetically valued, regardless of language, culture or mode of presentation, because some significant verbal achievement results from the struggle in words between tradition and talent. Verbal art has the ability to shape out a compelling inner vision in some skillfully crafted public verbal form. aesthetically valued, regardless
Of course, the differences between the written and oral modes of expression are not without consequences for an understanding of Native American literature. The essential difference is that a speech event is an evolving communication, an “emergent form,” the shape, functions, and aesthetic values of which become more clearly realized over the course of the performance. In performing verbal art, the performer assumes responsibility for the manner as well as the content of the performance, while the audience assumes the responsibility for evaluating the performer’s competence in both areas. It is this intense mutual engagement that elicits the display of skill and shapes the emerging performance. Where written literature provides us with a tradition of texts, oral literature offers a tradition of performances.

According to the passage, what responsibility does the audience of a verbal art performance have?

Native Americans probably arrived from Asia in successive waves over several millennia, crossing a plain hundreds of miles wide that now lies inundated by160 feet of water released by melting glaciers 3.C. For several periods of time, the first beginning around 60,000 B. C and the last ending around 7,000 B.C this land bridge was open. The first people traveled in the dusty trails of the animals they hunted. They brought with them not only their families, weapons, and tools but also broad metaphysical understanding sprung from dreams and visions and articulated in myth and song, which complemented their scientific and historical knowledge of the lives of animals and of people All this they of shaped in a variety of languages, bringing into being oral literatures of power and beauty.
Contemporary readers, forgetting the origins of western epic, lyric, and dramatic think of “literature” only as something written. But on reflection it becomes clear that the more critically useful as well as the more frequently employed sense of the term concerns the artfulness of the verbal creation, not its mode of presentation. Ultimately, literature is aesthetically valued, regardless of language, culture or mode of presentation, because some significant verbal achievement results from the struggle in words between tradition and talent. Verbal art has the ability to shape out a compelling inner vision in some skillfully crafted public verbal form. aesthetically valued, regardless
Of course, the differences between the written and oral modes of expression are not without consequences for an understanding of Native American literature. The essential difference is that a speech event is an evolving communication, an “emergent form,” the shape, functions, and aesthetic values of which become more clearly realized over the course of the performance. In performing verbal art, the performer assumes responsibility for the manner as well as the content of the performance, while the audience assumes the responsibility for evaluating the performer’s competence in both areas. It is this intense mutual engagement that elicits the display of skill and shapes the emerging performance. Where written literature provides us with a tradition of texts, oral literature offers a tradition of performances.

Which of the following is NOT true of the Native American literature discussed in the passage?

Native Americans probably arrived from Asia in successive waves over several millennia, crossing a plain hundreds of miles wide that now lies inundated by160 feet of water released by melting glaciers 3.C. For several periods of time, the first beginning around 60,000 B. C and the last ending around 7,000 B.C this land bridge was open. The first people traveled in the dusty trails of the animals they hunted. They brought with them not only their families, weapons, and tools but also broad metaphysical understanding sprung from dreams and visions and articulated in myth and song, which complemented their scientific and historical knowledge of the lives of animals and of people All this they of shaped in a variety of languages, bringing into being oral literatures of power and beauty.
Contemporary readers, forgetting the origins of western epic, lyric, and dramatic think of “literature” only as something written. But on reflection it becomes clear that the more critically useful as well as the more frequently employed sense of the term concerns the artfulness of the verbal creation, not its mode of presentation. Ultimately, literature is aesthetically valued, regardless of language, culture or mode of presentation, because some significant verbal achievement results from the struggle in words between tradition and talent. Verbal art has the ability to shape out a compelling inner vision in some skillfully crafted public verbal form. aesthetically valued, regardless
Of course, the differences between the written and oral modes of expression are not without consequences for an understanding of Native American literature. The essential difference is that a speech event is an evolving communication, an “emergent form,” the shape, functions, and aesthetic values of which become more clearly realized over the course of the performance. In performing verbal art, the performer assumes responsibility for the manner as well as the content of the performance, while the audience assumes the responsibility for evaluating the performer’s competence in both areas. It is this intense mutual engagement that elicits the display of skill and shapes the emerging performance. Where written literature provides us with a tradition of texts, oral literature offers a tradition of performances.

What can be inferred from the passage about the difference between written and oral literature?

Native Americans probably arrived from Asia in successive waves over several millennia, crossing a plain hundreds of miles wide that now lies inundated by160 feet of water released by melting glaciers 3.C. For several periods of time, the first beginning around 60,000 B. C and the last ending around 7,000 B.C this land bridge was open. The first people traveled in the dusty trails of the animals they hunted. They brought with them not only their families, weapons, and tools but also broad metaphysical understanding sprung from dreams and visions and articulated in myth and song, which complemented their scientific and historical knowledge of the lives of animals and of people All this they of shaped in a variety of languages, bringing into being oral literatures of power and beauty.
Contemporary readers, forgetting the origins of western epic, lyric, and dramatic think of “literature” only as something written. But on reflection it becomes clear that the more critically useful as well as the more frequently employed sense of the term concerns the artfulness of the verbal creation, not its mode of presentation. Ultimately, literature is aesthetically valued, regardless of language, culture or mode of presentation, because some significant verbal achievement results from the struggle in words between tradition and talent. Verbal art has the ability to shape out a compelling inner vision in some skillfully crafted public verbal form. aesthetically valued, regardless
Of course, the differences between the written and oral modes of expression are not without consequences for an understanding of Native American literature. The essential difference is that a speech event is an evolving communication, an “emergent form,” the shape, functions, and aesthetic values of which become more clearly realized over the course of the performance. In performing verbal art, the performer assumes responsibility for the manner as well as the content of the performance, while the audience assumes the responsibility for evaluating the performer’s competence in both areas. It is this intense mutual engagement that elicits the display of skill and shapes the emerging performance. Where written literature provides us with a tradition of texts, oral literature offers a tradition of performances.

What is the author’s attitude toward NativeAmerican literature?

PT Komputer Sejahtera Kotabaru street, Yogyakarta
Dear sir,
Through this letter we inform you that our order had arrived on time. However, after we checked the product, there are some damages of some computers.
For the evidence, we will send you back the damage product to be re-check by your company We have to say, your product is disappointing. If this thing happens again, we are sorry that we will cut off our cooperation contract.

“We have to say, your product is disappointing”
What is the meaning off this sentence?

PT Komputer Sejahtera Kotabaru street, Yogyakarta
Dear sir,
Through this letter we inform you that our order had arrived on time. However, after we checked the product, there are some damages of some computers.
For the evidence, we will send you back the damage product to be re-check by your company We have to say, your product is disappointing. If this thing happens again, we are sorry that we will cut off our cooperation contract.

“However, after we checked the product, there are some damages of some computers”
What is the synonym of “damages”?

Any major airport has lots of customers, most of them passengers. For example, Hartsfield-Jackson Atlanta Internasional Airport ______ (17)______ nearly 100 million passengers a year. That’s almost 20 times the number of people living in Atlanta itself and the same number of people living in a sizable ______(18)_____ say Ethopia or Vietnam. Moving those people to their ultimate _____(19)_____ requires 34 different airlines, which collectively make up the airport’s 2,500 daily arrivals and departures. That’s a lot of planes, a lot of _____(20)____ and a lot of airport personnel to make sure everything runs smoothly.

Any major airport has lots of customers, most of them passengers. For example, Hartsfield-Jackson Atlanta Internasional Airport ______ (17)______ nearly 100 million passengers a year. That’s almost 20 times the number of people living in Atlanta itself and the same number of people living in a sizable ______(18)_____ say Ethopia or Vietnam. Moving those people to their ultimate _____(19)_____ requires 34 different airlines, which collectively make up the airport’s 2,500 daily arrivals and departures. That’s a lot of planes, a lot of _____(20)____ and a lot of airport personnel to make sure everything runs smoothly.

Any major airport has lots of customers, most of them passengers. For example, Hartsfield-Jackson Atlanta Internasional Airport ______ (17)______ nearly 100 million passengers a year. That’s almost 20 times the number of people living in Atlanta itself and the same number of people living in a sizable ______(18)_____ say Ethopia or Vietnam. Moving those people to their ultimate _____(19)_____ requires 34 different airlines, which collectively make up the airport’s 2,500 daily arrivals and departures. That’s a lot of planes, a lot of _____(20)____ and a lot of airport personnel to make sure everything runs smoothly.

Any major airport has lots of customers, most of them passengers. For example, Hartsfield-Jackson Atlanta Internasional Airport ______ (17)______ nearly 100 million passengers a year. That’s almost 20 times the number of people living in Atlanta itself and the same number of people living in a sizable ______(18)_____ say Ethopia or Vietnam. Moving those people to their ultimate _____(19)_____ requires 34 different airlines, which collectively make up the airport’s 2,500 daily arrivals and departures. That’s a lot of planes, a lot of _____(20)____ and a lot of airport personnel to make sure everything runs smoothly.

To All Friends
You are invited to my birthday party!
Saturday, November 10, 2017 at 3 P M in Pahlawan Hotel
Please come to my birthday party.
Anton.

The purpose of the text is?

To All Friends
You are invited to my birthday party!
Saturday, November 10, 2017 at 3 P M in Pahlawan Hotel
Please come to my birthday party.
Anton.

Which statement is TRUE based on the text?

Please join us for the wedding of Nia & Fatih
Saturday, 20, 2018
At 1. PM until 2 PM in Sahid ballroom, Yogyakarta

Where will the wedding take place?

Please join us for the wedding of Nia & Fatih
Saturday, 20, 2018
At 1. PM until 2 PM in Sahid ballroom, Yogyakarta

How long the wedding party will be held?

When he lived in the suburban area, Mike … the subway to go to his office every day.

That man decided to resign from his job … his proposal of increasing the salary was rejected.

In the film world, proffessionals are accustomed to … resolutions possible. a negative into a computer at the highest

They … bottled vitamin water while jogged around the station.

On the top shelf of Nurman’s cabinet from winning a golf tournament. …, which he got

Samantha, …, spends her time to reading and writing a paper

Neither the boys nor the girl … seen that man before.

There are many good people in the world___you can trust to tak care of your children.

Your cameras are___mine.

Daniel accompanied by her parents,____going to attend his college graduation ceremony.